The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.
The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).
In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.
From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.
FDRG sessions have been organised with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity and the Department of Feminist Conversations, and as part of The Table at the Swiss Church. Elsewhere in the UK we have been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance. A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.
Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.
The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens.
The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.
Working Group
FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Helena Reckitt, and Dot Zhihan.
Support Group
FDRG activities are supported by a Support Group comprising former Working Group members Lina Džuverović, Mariana Lemos, Katrin Lock, and Ehryn Torrell.
Other former Working Group members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.
Working with the FDRG: A Note for Institutions
The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.
The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.
We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.
The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.
For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed. This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).
Collaborators and Partners
FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Valeria Graziano, Laura Guy, Haley Ha, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, Justin Seng, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, and Dot Zhihan.
Artists, Writers & Collectives
Sessions have been dedicated to texts and artworks including those by Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Khairani Barokka, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Ruth Frankenberg, Olivia Guaraldo, Johanna Hedva, bell hooks, Sanja Iveković, Juliet Jacques, Marie Elizabeth Johnson, Jane Jin Kaisen, Jasleen Kaur, AE Kings, Larissa Lai, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Suzanne Santoro, Selma Selman, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Linda Zerilli.
Contact us
If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com
Website Design by Angelica Bollettinari
Women tend to take special care of their relationships with one another. Yet until the second wave feminist movement of the 1970s few accounts of friendship’s importance for women existed. Building on this revaluation of women’s affectionate bonds, this podcast explores friendship as a vital force in feminist organising, community-building, and practices of mutual care.
The podcast explores feminist understandings of friendship as a plural space of interaction through which women have found mediation between themselves and the public domain. It reflects on how bonds of friendship nurture acts of alliance, resistance, and reciprocity, in which participants both listen and feel heard, see and are seen.
Recorded at the end of year marked by Covid-19, during which many people have felt isolated and anxious, “Nothing worth doing is done alone” reconsiders the importance of sharing and holding space, collective thinking and reading. It also celebrates the sheer pleasure of being together.
Podcast Concept
Sabrina Fuller and Helena Reckitt
Editing and Composition
Sabrina Fuller
Thanks
The FDRG is grateful to Delpha Hudson for her recording of “Feminist Readings” which she organised at Hypatia Trust in January 2019
Title
The podcast’s name comes from “Everything Worthwhile is Done With Other People,” a 2019 interview with Mariame Kaba by Eve L Ewing, referenced in the contribution by Lucy Lopez
Joan Anim-Addo
Re-sisters formed part of a major European pedagogic research group. They supported Joan as lone black academic, and together they gave their own time and resources to produce presentations and publications on interculturality and gender, as well as establishing long-term friendships, supporting each other in personal growth and activism.
Alice Walker, The Alice Walker Collection: Non-Fiction (London: Hachette, 2013), 17.
Olivia Berkowicz, Angelica Bollettinari
This conversation focuses on Céline Condorelli and Svetlana Boym’s writing on feminist friendship as political organisation; on the patriarchal nature of philosophical constructions of friendship; on multiplicity of friendly voices as a resource; on allowing for difference while thinking together; about de and re-constructing exclusionary building blocks and symbolic mediation.
Céline Condorelli, “Notes on Friendship”, Mousse 32 (February 2012), 222 -227.
Svetlana Boym, “Scenography of Friendship: Hannah Arendt, Mary McCarthy, and anchovy paste,” Cabinet, Winter, Issue 36 Friendship (Winter 2009–2010)
Rosie Cooper
This poetic celebration of feminist friendship refers to love, challenge, listening, space for difference, change, learning, expanded family, community, networks, generosity kindness and support.
Kezia Davies
Kezia describes her feminist influences: activists, educators, artists, writers and writing, those she has organised alongside, those supporting or supported through trauma, and her feminist mother. She reads from the Milan Women’s Bookshop Collective on the need to translate their political practice of relationships between women into social reality.
Milan Women's Bookstore Collective, “More Women Than Men,” in Italian Feminist Thought: A Reader, eds. Paola Bono and Sandra Kemp (Oxford, Basil Blackwell, 1991), 110-11.
Flora Dunster
Flora focuses on friendship as a feminism of the everyday: comradeship and solidarity forged from duration, hardship and struggles. She reads from a short story, from a collection which changed the way she conceptualised the meaning of the words ‘feminism’ and ‘friendship’ to one another.
Bronwen Wallace, "People You'd Trust Your Life To" in People You'd Trust Your Life To (Toronto: McClelland & Stewart, 1990), 149-169.
Hayley Ha
Hayley describes the different languages, accents and cadences at a reading of an experimental poetic text, undermining binary cultural framing, embracing the unknown and uncertain. She plays a fragment of a film giving voice to Korean adoptees: a work based on kinship between artists, writers, researchers, mothers and poets.
Jane Jin Kaisen & Guston Sondin-Kung, The Woman, The Orphan, and The Tiger, HD Video 16:9, single channel. 72 minutes. Colour / B&W, 2010
Taey Iohe
The focus is care: the support group Taey and others organised, in response to a suicide, to support Korean students: their mental and intellectual wellbeing and the central importance of artistic creation. She reads about care of our own and others’ fragile bodies as the most anti-capitalist of gestures.
Taey Iohe, Care for Collective Curatorial Practice, https://taey.com/cccJohanna Hedva, “Get Well Soon!” (2020), https://getwellsoon.labr.io/
Alexandra Kokoli
Citing a general assumption of friendship rather than an extensive literature, Alexandra reads from a collaboratively-authored account of a consciousness-raising group at a sixth-form college in the early 1980s. The group discusses their very practical deliberations on whom to involve, how to be inclusive and accessible, and their appreciation of finding each other.
Naomi, Petra, Jane, Julie, Rachel, Kate, Jane, Lucy, and Nicole, "Finding Each Other at School," in Spare Rib Reader, ed. Marsha Rowe (Harmondsworth: Penguin, 1982), 595.
Lucy Lopez
Lucy focuses on care and how our broken and iniquitous systems are exposed: if some of us are not well then none of us are; how care becomes revolutionary, through its emphasis on collectivity, interconnection, alliance, making us aware of different needs, and how working in friendship is ultimately political.
Johanna Hedva, “Get Well Soon!” (2020)
Eve L Ewing, “Mariame Kaba: Everything Worthwhile is Done With Other People,” Adi Magazine, Domestic Dissonance, (Autumn 2019)
Laura Malacart
The significance of collective ancient rituals is described in the power and ancient origins of the circle, the Way of the Council and Red Tent. These ancient rituals are all echoed by feminist gatherings as sites of mutual support, sisterhood, solidarity and dissent and undermine the transactional, the hierarchical and the quantifiable.
Kim McAleese
Kim speaks about the definition of cultural production as making things public, the process of connecting things and befriending issues as well as people: about sharing, and friendship across difference supporting ‘this thinking business’; and the importance of holding space for people, slowly, cooking, eating and reading together.
Céline Condorelli, The Company She Keeps (London: Book Works, 2014)
Gabby Moser
Friendship - allegiance and responsibility - as an essentially political practice. Reading and writing together as central to women building a network of citations, a resource for future thinking. The urgent task for feminism is creating the conditions for one another to think and imagine the formation of culture differently.
Céline Condorelli, “Reprint,” Mousse 32, (February 2012): 222-227.
The Milan Women’s Bookstore Collective, Sexual Difference: A Theory of Socio-Symbolic Practice, trans. Teresa de Lauretis (Bloomington: The University of Indiana Press, 1990), 30-3
Sara Paiola
It is less a matter that everything women do together is political, and more that all their activities can become political, as the excerpt quoted here suggests.
Lia Cigarini and Luisa Muraro ‘Politica and Pratica politica.’ In Critica Marxista. 3-4 (1992).
Helena Reckitt
The principle of friendship plays out in the FDRG. The group befriends earlier, other, forms of feminist practice, while getting to know other participants through the act of reading and thinking together. The group looks to the key importance of relations between women in the second wave feminist movement, epitomised by the process of reciprocal coappearance developed by members of the Milan Women’s Bookshoop collective, which enabled them to find a plural, thus political, space of interaction.
Adriana Cavarero, “On the Outskirts of Milan,” in Relating Narratives: Storytelling and Selfhood (Abingdon and New York: Routledge, 1997), 55-66.
Sasha Rosneil
Friendship is little studied, interstitial, unregulated - and fundamental to feminism. 1980s Greenham women saw friendship as fundamental to transforming the dominant social relations of gender and sexuality, also as a sustaining everyday pleasure. But friendship can struggle with difference: we have collective obligations to the unloved and uncared for.
Sasha Roseneil, “Foregrounding Friendship: Feminist Pasts, Feminist Futures,” in Kathy Davis, Mary Evans, Judith Lorber (eds) Handbook of Gender and Women’s Studies (London: Sage, 2006), 324-343.
Ehryn Torrell
Ehryn describes the FDRG engaging closely with a text proposing a care practice around the politics of togetherness: providing space for kinship and mentorship; addressing black absence from mainstream feminist space - a racialised unmooring that frees feminism from predominately white preoccupations, ensuring that race and racism matter to all feminists.
Joan Anim-Addo, “Activist-mothers maybe, sisters surely? Black British feminism, absence and transformation,” Feminist Review, no.108 black british feminisms (2014): 44-60.