About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity and the Department of Feminist Conversations, and as part of The Table at the Swiss Church. Elsewhere in the UK we have been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Helena Reckitt, and Dot Zhihan.

Support Group

FDRG activities are supported by a Support Group comprising former Working Group members Lina Džuverović, Mariana Lemos, Katrin Lock, and Ehryn Torrell.

Other former Working Group members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Valeria Graziano, Laura Guy, Haley Ha, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, Justin Seng, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Khairani Barokka, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Ruth Frankenberg, Olivia Guaraldo, Johanna Hedva, bell hooks, Sanja Iveković, Juliet Jacques, Marie Elizabeth Johnson, Jane Jin Kaisen, Jasleen Kaur, AE Kings, Larissa Lai, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Suzanne Santoro, Selma Selman, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Between Militant Demand and Creative Refusal: Moments of the Wages for Housework Campaign

Between Militant Demand and Creative Refusal: Moments of the Wages for Housework Campaign

This event is held in solidarity with Goldsmiths for Palestine’s occupation of Goldsmiths CCA https://www.instagram.com/goldsmithsforpalestine/?hl=en

Wages for Housework was launched in Padua by the International Feminist Collective in 1972. Led by feminist activists such as Mariarosa Dalla Costa, Selma James, Leopoldina Fortunati, Silvia Federici and Brigitte Galtier, the campaign was prominent throughout Europe and North America. Within the framework of Marxist feminism, it aimed to highlight how capitalism exploited and profited from reproductive labour, extracting value from the ‘social factory’ of the home and communities. The demand to compensate women’s work in the kitchens and bedrooms by regenerating the male workforce through a hot meal, a comfortable home, washed and ironed clothes, and the satisfaction of sexual needs through a wage paid by the state provoked varied reactions of defence and scepticism within feminist circles in the 1970s. This historical campaign continues to inform and inspire contemporary feminist movements. We invite you to join us in exploring its legacy and relevance today.

Barbara Mahlknecht and Leopoldina Fortunati will introduce the Wages for Housework campaign by tracing selected historical moments and utilizing archival materials. Together, we will examine and investigate various militant materials from the era—folders, flyers, and pamphlets—to ignite a discussion on the strategies, tactics, and tools militant feminists employed to spark a broader feminist movement for wages for housework.

Unlike factory workers, who could organize quickly due to their shared production location, women in the 1970s were isolated at home. How did militants organize a movement addressing unwaged labour in the domestic sphere? What were the challenges and contradictions of demanding remuneration for women’s invisible labour—such as child-rearing, cooking, cleaning, washing, and sex—while advocating for its refusal? What were the conceptual ambivalences and practical challenges of launching a movement with limited financial resources and time?

As we explore these materials, participants will be invited to delve into the topics and methods addressed by the Campaign in smaller groups. In addition to sharing their findings, we will read excerpts from selected pamphlets, including passages from Leopoldina Fortunati’s The Arcane of Reproduction: Housework, Prostitution, Labor and Capital (1981; trans 1995) to stimulate conversations about the significance of social reproduction in contemporary daily life.

This gathering offers an opportunity to collectively re-examine the relevance and significance of past feminist struggles on social reproduction. We aim to create a temporary communal space to investigate daily routines and stories fostering an intersectional perspective on social reproduction today.

Bios

Leopoldina Fortunati is a feminist Marxist, activist and theorist. She is the author of The Arcane of Reproduction: Housework, Prostitution, Labor and Capital, 1995 [1981]. She was active in the student movement in 1968, then in Potere Operaio and finally in Lotta Femminista (Women’s Struggle). With Mariarosa Dalla Costa, she published Brutto ciao. Direzioni di marcia delle donne negli ultimi 30 anni (Brutto ciao. Women's marching directions over the last 30 years), 1977; with Silvia Federici Il Grande Calibano. Storia del corpo sociale ribelle nella prima fase del capitale (The Great Caliban. History of the Rebellious Social Body in the First Phase of Capital), 1984, as well as several articles on the machinisation of the sphere of reproduction. Leopoldina Fortunati is Senior Professor of Sociology of Communications and Culture in the Department of Mathematical, Computer and Physical Sciences at the University of Udine in Italy, where she founded and directs the “NuMe” new media research laboratory. She is an ICA Fellow.

Barbara Mahlknecht
is a researcher, curator, lecturer, and art mediator. Most recently, she served as a Senior Scientist at the Academy of Fine Arts Vienna (2020-2022) and as a supervisor and tutor at the Piet Zwart Institute/Willem de Kooning Academy Rotterdam (2017-2019). Her recent independent curatorial projects include Mothering Communities (University of Applied Arts, Vienna, 2023), The Struggle is Not Over (Museum of the 20th Century, Mestre, 2023), and How to Change Everything: The Politics of the Feminist Strike, Radical Care, and Artivism (FLUCC, Vienna, 2022). As an associate curator and editor, she co-organized the exhibition and publication of Raqs Media Collective's Hungry for Time at the Academy of Fine Arts Vienna. Her interest in the intersections of social inequality, care labour, social reproduction, and (curatorial) practice in the archive and feminist militancy is driven by her current research on the Wages for Housework Campaign in 1970s Italy. She is a Ph.D. candidate at Goldsmiths, University of London (AHRC Fellowship).

Access information here

As this event is likely to be extremely well-attended, and we have limited capacity in the space, we ask that you only book a place if you definitely plan to attend. In the event that you are unable to make it on the day, please go to the TicketTailor booking and cancel your place.

This event is part of the series of events Reviving Feminist Struggles, Growing New Worlds curated and organised by Barbara Mahlknecht in collaboration with the Feminist Duration Reading Group, MayDayRooms London, and the Women’s Art Library at Goldsmiths University, June 13-16, 2024.  With the fdrg it is part of the Feminist Duration series which explores under-known texts, ideas, and movements associated with earlier periods of feminist activity in the UK. The programme juxtaposes earlier moments of feminist with current urgencies and struggles. By restoring material texture to overlooked political and cultural movements, it seeks to resist versions of the past that reduce feminist struggle to one-dimensional stereotypes. Looking to the past to activate its nascent potential, the programme aims to identify tools that can inspire and enrich further collective action, promoting the intergenerational exchange of knowledge and experience. While honouring earlier feminisms, the series also highlights how collaboration, difference, and dissent have characterised previous feminist movements, and how feminists have both negotiated, and failed to significantly attend to, differences between themselves.

Image Credit: Between Militant Demand & Creative Refusal_fdrg led by Barbara Mahlknecht with Leopoldina Fortunati_Feminist Library_16 June 2024, Photo: Helena Reckitt

Feminist Duration is generously supported by the CHASE Doctoral Training Partnership.

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