About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity and the Department of Feminist Conversations, and as part of The Table at the Swiss Church. Elsewhere in the UK we have been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Helena Reckitt, and Dot Zhihan.

Support Group

FDRG activities are supported by a Support Group comprising former Working Group members Lina Džuverović, Mariana Lemos, Katrin Lock, and Ehryn Torrell.

Other former Working Group members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Valeria Graziano, Laura Guy, Haley Ha, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, Justin Seng, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Khairani Barokka, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Ruth Frankenberg, Olivia Guaraldo, Johanna Hedva, bell hooks, Sanja Iveković, Juliet Jacques, Marie Elizabeth Johnson, Jane Jin Kaisen, Jasleen Kaur, AE Kings, Larissa Lai, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Suzanne Santoro, Selma Selman, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Jamila Prowse: What Care and Access Mean to Me

Jamila Prowse: What Care and Access Mean to Me

Artist, writer and researcher Jamila Prowse leads a session at Studio Voltaire thinking about definitions of care as they relate to disability and care work. We will read out loud together from three short texts, including two that have informed Jamila’s thinking: Johanna Hedva’s Get Well Soon! (Tega Brain and Sam Lavigne, 2020) and Mia Mingus’s ‘Access Intimacy: The Missing Link’ (Leaving Evidence Wordpress, 2011), alongside Jamila’s own text ‘The True Value of Care’ (Riposte, 2021).

The reading will open up discussions on questions including:

-What does the term care mean to us?

-How has care been co-opted and obscured by institutions?

-Where do we find access intimacy and what does accessibility mean to us?

-How might greater access and disability inclusivity make society more hospitable for all of us?

Readings

Together we will read:

- Johanna Hedva get well soon (Tega Brain and Sam Lavigne, 2020), https://getwellsoon.labr.io/

- Mia Mingus ‘Access Intimacy: The Missing Link’ (Leaving Evidence Wordpress, 2011), https://leavingevidence.wordpress.com/2011/05/05/access-intimacy-the-missing-link/ 

- Jamila Prowse, ‘The True Value of Care’ (Riposte, 2021) https://docs.google.com/document/d/18k2xfoDBWAioKnGLJzKqwWy7A-qSOEGY3h2ZAmFDFOI/edit

There is no need to read in advance as we will read together, one person and one paragraph at a time, together.

Please bring copies of the texts with you.

About Jamila Prowse

Jamila Prowse is an artist, writer and researcher who works across moving image and textiles to consider methodologies for visualising mixed race identity and the lived experience of disability. She is drawn to stitch making and patchwork as a tactile form of processing complex family histories and mapping disability journeys, and moving image as a site of self-archiving and autoethnography.

Her first artist film, An Echo For My Father (2021), initiated a three-part series and was commissioned by Lighthouse, exploring losing a parental figure and access to one side of your heritage. She is now working on the second and third iterations supported by an Arts Council Developing Your Creative Practice grant. Jamila is a member of the Brent Biennial Curatorial Committee 2021-2 and an Associate Lecturer in photography and moving image at London College of Communication, University of Arts London. Previous exhibitions and screenings include Hordaland Kunstsenter (Bergen, Norway), Obsidian Coast (Bradford, UK) and South London Gallery (London, UK). Her reviews and essays have appeared in Frieze, Elephant, Dazed, GRAIN, Art Work Magazine and Photoworks.

Free, booking required

https://www.eventbrite.co.uk/e/jamila-prowse-what-care-and-access-mean-to-me-tickets-627913124057

 Image Description

A hand is outstretched in the centre of a portrait photograph, palm up, with three small, white pills laying in the centre of the hand. Below, wooden, laminate flooring can be seen and a framed series of artworks leaning against a white wall. The hand casts a shadow on the artworks, which are a series of line drawn illustrations by the artist Joey Yu in a white frame with a white mount. Some are obscured, but the top two artworks on the right hand side show a woman looking at a sunset, then in the next frame braiding a friend's long hair. The caption underneath the latter artwork can be seen and reads 'I care for people deeply'. Below, only slightly visible, is an illustration of the same girl walking across a tight-rope, seen from below.

Access

If you have any questions or need assistance with your visit please contact Studio Voltaire on +(0)2076221294 or email info@studiovoltaire.org.

Step–free access

Studio Voltaire has step–free access throughout the gallery, participation and events spaces, cafe, shop and garden.

There is a dropped curb outside of the main entrance of the building and the front door is opened by a push button. The push button is 95cm from the ground.

If you are visiting the offices, there is step free access via the staff entrance.  If you are visiting an artist or cultural tenant in the studios on the first floor, a lift is available. The lift has a glass door which can be opened using the handle. The lift dimensions are 150cm x 108cm x 213cm. The lift door dimensions are 90cm x 200cm.

Toilets and baby care facilities

Accessible toilets and baby change facilities are available on the ground and first floor.

All toilets are self-enclosed and all-gender.

The toilets on the ground floor feature a permanent commission by artists Joanne Tatham & Tom O’Sullivan. The interior of the toilets are brightly coloured and patterned, which may affect people who are visually sensitive. You can view images of the inside of the toilets here. The toilets on the first floor are accessible via lift and have plain white walls.

The nearest Changing Places toilet is located in Lambeth Town Hall. 

Large Print

Information about current exhibitions and events are available in large print. Please ask at the reception desk for a copy.

Chairs

The FDRG event in the Studio will be seated. Chairs are also available to use throughout Studio Voltaire’s public spaces. Please ask at the entrance desk. There is seating for public use in the garden and entrance.

Assistance animals

Registered service and assistance dogs are welcome in all areas of the building. If you require water bowls, please ask at the reception desk.

British Sign Language (BSL) and Audio Description

Please contact Studio Voltaire if you require a British Sign Language interpreter for this event. All speakers will self-describe at the outset of the event.

Getting to Studio Voltaire

 By car

There is no parking, including accessible parking, available onsite. Blue badge holders are able to park on Nelson’s Row where Studio Voltaire is located. There are two disabled parking spaces approximately 27 and 30 metres from the entrance.

By underground

The closest station is Clapham Common, but there is no step free access. The station is 500 metres from Studio Voltaire, or approximately a 3 minute walk.

Clapham South is the closest station with escalator access between the street and the platform. The station is 1600 metres from Studio Voltaire, approximately a 20 minute walk.

The nearest stations with lift access between the street and the platform are Brixton and Vauxhall.

By overground

Clapham High Street is the nearest station, but there is no step free access.  The station is 600 metres from Studio Voltaire, approximately a 6 minute walk.

If you would like to share any feedback about how to improve Studio Voltaire’s accessibility, you can contact Studio Voltaire on +(0)2076221294 or email info@studiovoltaire.org.

 

Desire Lines II, led by Lauren Craig

Desire Lines II, led by Lauren Craig

Jane Jin Kaisen: Community of Parting

Jane Jin Kaisen: Community of Parting