About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Feminist Library, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity, the Department of Feminist Conversations, and FIELDNOTES, and as part of The Table at the Swiss Church.

Elsewhere in the UK the FDRG has been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Internationally we have partnered with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; and with ‘Hope is a Dscipline’ curators as part of the 2024 October Salon in Belgrade.

Online international meetings have been held with groups including Radical Sense in Tirana, Mai Ling in Vienna, and the Gender Studies journal in Kharkiv.

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens. In 2025 we began as Permanent Residents at Goldsmiths CCA, London.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working & Support Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Mariana Lemos, Helena Reckitt, and Dot Zhihan.

Activities are further supported by a Support Group comprising former Working Group members Lina Džuverović, Katrin Lock, and Ehryn Torrell.

Former Working Group Former members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Berit Fischer, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Marija Iva Gocic, Valeria Graziano, Laura Guy, Haley Ha, Lily Hall, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Hristina Cvetlincann Knezevic, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Barbara Mahlknecht, Jessa Mockridge, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Natalia Paunic, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, E Scourti Justin Seng, Sarah Shin, Zorana Simic, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, Ana Simona Zellenovic, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Clay AD, Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Sita Balani, Khairani Barokka, Marquis Bey, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia E Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Diane di Prima, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Abri De Swardt, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Ray Filar, Leopoldina Fortunati, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Takana Fuego, Ruth Frankenberg, Olivia Guaraldo, Katie Hare, Johanna Hedva, bell hooks, Kim Hyesoon, Onyeka Igwe, Sanja Iveković, Juliet Jacques, N K Jemison, Kathy Jetnil-Kijiner and Aka Niviana, Marie Elizabeth Johnson, Jane Jin Kaisen, Banu Kapil, Jasleen Kaur, AE Kings, Larissa Lai, Andrea Lawlor, Naja Lee Langvad, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, D Mortimer, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Naomi Okabe, Pauline Oliveros, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Elizabeth Price, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Sofia Samatar, Selma Selman, Suzanne Santoro, S Scourti, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Rosa-Johan Uddoh, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Francis Whorrall-Campbell, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

 Lauren Craig: Part 1 Desire Lines - Reading for Pleasure and Writing for Pain

Lauren Craig: Part 1 Desire Lines - Reading for Pleasure and Writing for Pain

Lauren Craig presenting material from X Marks the Spot._2020_2.jpeg

Artist Lauren Craig leads this online restorative writing circle that explores where the desire lines of our practices meet. Taking a reparative approach, we will create a shared gaze for the archives our bodies hold. What are our stories? What are their formations? How do we listen and share? An invitation, a call to action, to gather in a way where rendering our collective experience creates ethical, cultural memory. The circle offers 'microacts’ artworks such as collages and slide walks contributed by curator Althea Greenan, who opens the Women's Art Library (WAL) collection to create writing provocations.

A space to remember and make-believe, make sense of things, not understand, and not be understood. Demarcating the space, you are drawn to being within.

Expression of Interest

Spaces for this online workshop will be limited to maintain a mood of intimacy and exchange. If you would like to take part, please send a short Expression of Interest by Thursday 8th July to feministduration@gmail.com. We will let you know by 15th July if you have been selected, and provide further details of the session. 

Lauren Craig is a London-based cultural futurist. Her practice as an artist, curator, full-spectrum doula and celebrant is untethered, sprawling and liberatory. Carefully marrying concept with materiality, she moves slowly between performance, installation, experimental art writing, exhibition making, moving image, research and photography. Her auto-ethnographic works are meditations on celebration, commemoration and tribute. Through archival research and reactivation, she centres on lived experience while striking through and reframing past and present dominant narratives. She offers her creativity as calls to action to create ethical, cultural memory and collective intelligence. Her work is an invitation to convene and proposition our futurities.

Craig is a member of the social history and curatorial collective Rita Keegan Archive Project (RKAP); its forthcoming exhibition, Between There and Here, opens at South London Gallery in September 2021. Her current project Rendering Experience offers a re-appraisal of Passion: Discourses on Blackwomen’s Creativity (1990), edited by Maud Sulter. Grounded in the present, the research questions the text’s visibility, urgency and art-historical impact on curatorial futurities. Craig’s previous encounters with Passion include RKAP at South London Gallery (2020) and Show and Tell, The Women’s Art Library (2015). Her forthcoming partnerships, publications and events include collaborations with Feminist Review, Photofusion, Eastside Projects, The Women’s Art Library and Arts Catalyst.

Dr. Althea Greenan is Special Collections Curator at the Women's Art Library (WAL) at Goldsmiths, University of London, an artist-initiated project historically rooted in gender politics and the subsequent emergence of a radicalised women's art practice and feminist art criticism. She is author of the 2018 PhD Feminist Net-work : digitization and performances of the Women's Art Library slide collection.

Images:

Lauren Craig ‘After All That: Acts of Giving up Everyday Beauty,’ 2015-2020

Lauren Craig presenting material from X Marks the Spot, Women’s Art Library, London, 2020. Photograph by Helena Reckitt

This event is part of Feminist Duration, generously supported by the CHASE Doctoral Training Partnership.

 

Kyla Wazana Tompkins: The Recurring Trauma of Intergenerational Queer-Feminist Life

Kyla Wazana Tompkins: The Recurring Trauma of Intergenerational Queer-Feminist Life

Larissa Lai: Salt Fish Girl

Larissa Lai: Salt Fish Girl