About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Feminist Library, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity, the Department of Feminist Conversations, and FIELDNOTES, and as part of The Table at the Swiss Church.

Elsewhere in the UK the FDRG has been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Internationally we have partnered with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; and with ‘Hope is a Dscipline’ curators as part of the 2024 October Salon in Belgrade.

Online international meetings have been held with groups including Radical Sense in Tirana, Mai Ling in Vienna, and the Gender Studies journal in Kharkiv.

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens. In 2025 we began as Permanent Residents at Goldsmiths CCA, London.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working & Support Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Mariana Lemos, Helena Reckitt, and Dot Zhihan.

Activities are further supported by a Support Group comprising former Working Group members Lina Džuverović, Katrin Lock, and Ehryn Torrell.

Former Working Group Former members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Berit Fischer, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Marija Iva Gocic, Valeria Graziano, Laura Guy, Haley Ha, Lily Hall, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Hristina Cvetlincann Knezevic, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Barbara Mahlknecht, Jessa Mockridge, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Natalia Paunic, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, E Scourti Justin Seng, Sarah Shin, Zorana Simic, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, Ana Simona Zellenovic, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Clay AD, Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Sita Balani, Khairani Barokka, Marquis Bey, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia E Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Diane di Prima, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Abri De Swardt, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Ray Filar, Leopoldina Fortunati, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Takana Fuego, Ruth Frankenberg, Olivia Guaraldo, Katie Hare, Johanna Hedva, bell hooks, Kim Hyesoon, Onyeka Igwe, Sanja Iveković, Juliet Jacques, N K Jemison, Kathy Jetnil-Kijiner and Aka Niviana, Marie Elizabeth Johnson, Jane Jin Kaisen, Banu Kapil, Jasleen Kaur, AE Kings, Larissa Lai, Andrea Lawlor, Naja Lee Langvad, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, D Mortimer, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Naomi Okabe, Pauline Oliveros, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Elizabeth Price, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Sofia Samatar, Selma Selman, Suzanne Santoro, S Scourti, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Rosa-Johan Uddoh, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Francis Whorrall-Campbell, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Trinh T. Minh-ha on Storytelling and Postcoloniality, P1

Trinh T. Minh-ha on Storytelling and Postcoloniality, P1

Speaking, writing, and discoursing are not mere acts of communication; they are above all acts of compulsion. Please follow me. Trust me, for deep feeling and understanding require total commitment.

― Trinh T. Minh-ha

This is the first of two gatherings to focus on the lyrical and affecting work of Vietnam-born, US-based filmmaker and writer Trinh T. Minh-ha on the politics of storytelling and Third World feminism. Emphasising the role of indirect language and poetic expression attuned to sensory impression, Trinh’s writing associates communities and individuals, caring relations and cultural differences. In her book Woman, Native, Other: Writing Postcoloniality and Feminism (1989), Trinh discusses questions of language and writing in relation to the notions of ethnicity and femininity; and of storytelling as one of the oldest forms of building historical consciousness and as a continuing setting into the notion of a feminist problematic in the context of a female living tradition.

The second session focused on Trinh will take the form of an online screening programme in June 2021.

Reading

Together, in small online groups, we will read sections from ‘Grandma’s Story,’ the last chapter from Woman, Native, Other: Writing Postcoloniality and Feminism (Indiana University Press,1989), which originally appeared in the 1987 anthology Blasted Allegories (ed. Brian Wallace). 

There is no need to read the text in advance as we will read from it together during the event

Download the reading here.

https://drive.google.com/file/d/1GCcwOxDn7GQ1g2blBuL2hdGfS_6tAozs/view?usp=sharing 

Trinh T. Minh-ha 

Trinh T. Minh-ha (b. 1952, Hanoi, Vietnam) is a filmmaker, writer, composer and Professor of Rhetoric and Gender & Women’s Studies at the University of California, Berkeley. Spanning nearly four decades, Trinh’s complex, theoretical, and poetic practice includes moving image, writing, musical composition, installation, and teaching. Recognised for her experimental approaches to image-making and storytelling, Trinh has made significant contributions to the fields of feminist and postcolonial studies. She dedicates her practice to questioning the totalising systems of knowledge and representations and categories of identity. Her Vietnamese heritage, as well as years of her life spent in West Africa, Japan, and the United States, have informed her work, particularly her focus on cultural politics

Register

To reserve a place please register here.

The Event

This online meeting will be divided into three parts.

1. Introductions to the session from by the organisers

 2. Out loud readings in small online groups.

3. Return to group meeting to share insights and perspectives coming out of reading groups.

Trinh T. Minh-ha on Storytelling and Postcoloniality, P2

Trinh T. Minh-ha on Storytelling and Postcoloniality, P2

Lauren Fournier: Citation as Relation

Lauren Fournier: Citation as Relation